Beaches and Bitches

Been away for a while as we are on vacation. But not enough vacation to miss what´s been going on in the world of music. I´ll be more in depth later with what we´ve missed after I´ve taken care of my sunburnt limbs, but for now, please enjoy this new music by one of my very favorites, Calvin Harris, who is releasing his new album today. Awesome way to keep my summer break going.

Calvin Harris - Flashback (alt)

Bonus:

Calvin Harris - Stars Come Out (alt)

Boomerangz

Australian music is hot. We here at LTBN know this. It's not to put down any other countries' music scenes, but in the particular genre of music we focus on, the Aussies seem to be doing it best at the moment. And speaking of moments, look at Shazam growing up right before our eyes. Loved his original stuff (especially Pool Party) but he seems to be doing stuff in the vein of Fred Falke, half Balearic, half French with synth melodies and choruses fading in and out of songs, allowing for the music to have room to breath between more wacky sounds, handclaps and the rhythm sections. Here we find the young prodigy remixing Sneaky Sound System's new single, an effort inclusive of all of his trademarks:

Sneaky Sound System - When We Were Young (Shazam Remix) + (alt)

Next up is an effort between British provocateurs, Dizzee Rascal and Calvin Harris, and they also receive the Shazam treatment to good results. If there's one detriment to Shazam, it is that he doesn't seem to step outside his sound too much; fortunately for us, that's not that big a setback:

Dizzee Rascal ft. Calvin Harris - Dance Wiv Me (Shazam Remix) + (alt)

Listen to these tunes and give Shazam, Sneaky Sound System, Dizzee and Calvin a shoutout.

Bonus: Shazam - Pool Party (Rogerseventytwo Remix) + (alt)

She Advances Through Life Sans GPS

"Once, somebody asked Robert Schumann to explain the meaning of a certain piece he had just played on the piano.
What Robert Schuman did was sit back down at the piano and play the piece of music again."
--David Markson, Wittgenstein's Mistress

In the music world today there tends to be a dichotomy separating band and remixer. The two feed off one another, compliment each other and each have their advantages and drawbacks. So what of the relatively recent phenomenon where bands do some remixing of their own? I think I first noticed it when Bloc Pary remixed the dance floor favorite "Needy Girl" back in '05 and since then it's become a regularly sight to behold. Take for instance Hot Chip's remix of a Gorillaz tune, "Kids With Guns" just released on the cleverly titled album D-Sides. I haven't heard the original, but I'm told it's nothing to write home about. So, when bands fool with others songs and it isn't a cover at what point does it become their own and at what point does it remain the original artist's? If Hot Chip added their own vocals, say, in addition to (Gorillaz singer) Damon Albarn's, would it be a collaboration? If all the instruments are stripped from a song and the remixer saves just the vocals, how can we consider that the same song by the same band? No one ever established any rules to the Remixing genre.

Gorillaz - Kids With Guns (Hot Chip)

Kissy Sell Out first caught my attention with his remix of Girls in Hats' "The Loose Cannons." I just found another of his remixes, "Merrymaking at my Place" by Calvin Harris. We're familiar with this track through Mr. Oizo's rendition, but his was too flat and, in my opinion, boring, as can be the case with some of Oizo's stuff. Kissy Sell Out lets the song unfold, build and it would be a sweet song to hear on the dance floor come New Year's eve: complete with piano, shakin-tambourines and an awesome Baroque synth riff.

Calvin Harris - Merrymaking at My Place (Kissy Sell Out remix)

The Deadmau5 remix is almost as good as Kissy Sell Out's, but after hearing the first you might want to wait awhile before you hear this next one. The "Merrymaking" in the chorus can get a little infectious and you'll be hearing it all day long in your head.

Calvin Harris - Merrymaking at My Place (Deadmau5 remix)



As if we haven't posted enough remixes, here's a remix of a French rap group called Soprano. Besides the fact that it's a great remix, it's an apt song, because--though we haven't mentioned it on here--I think it's safe to say at least the majority of the contributers of this blog are francophiles.

Soprano - A La Bien (Coffee's Pour Les Mecs En Bas Des Blocs Remix)

Hailing from Marseille Soprano is part of a quartet rap group called Psy 4 de la Rime. Inspired by the show The Sopranos, psychoanalysis and psychology are a recurring theme in Soprano's and Psy 4's lyrics. Soprano's solo album--entitled "Puisqu'il faut vivre," or "Since one must live"--came out this year. I looked up the lyrics for the above song, and I really enjoy the first few lines, which strike me as almost Rimbaudian.

"Ma jeunesse passe des nuits a se tuer à PES, à grater des fesses sur msn ou myspace
Elle casse sa tirelire pour enrichir Konami, elle consume plus d'herbe que les vaches de Kamini
Elle balade son stress sur des TN ou en Converse, elle avance dans la vie sans avoir de GPS
Elle pert son calme quand Sarko ouvre la bouche, comme pour sauver le monde Bush enfile sa cape rouge"

Here is my (probably poor) translation:

My youth spends nights killing herself with PES (maybe Pro Evolution Soccer?)
scratching asses on MSN or Myspace (?)
she breaks open her piggybank to enrich Konami
she consumes more grass than the cows of Kamini
she loses her stress on TN (?) or on Converse
she advances through life without GPS
she loses her nerve when Sarko(zy) opens his mouth
as to save the world Bush covered with his red cape